
Looks like Danger Mouse has become the go-to producer for the indie-rock darlings. Anyway, this is a pretty good album. It’s nice to see these guys messing around with some new sounds.
Tim Buckley could have been a big pop star. He possessed a powerful and versatile voice and could put together catchy, well-written psych-folk tunes, as attested by his first two albums. Yet his brief recording career was more than anything driven by restlessness. While his early albums did well with the critics and the public, he never allowed himself to settle in a comfort zone, and continuously strove to push boundaries and test both the limits of his own capabilities and the patience of his fans.

http://www.mediafire.com/download.php?wmaqnwnamoy
Brian Eno – Discreet Music (1975)
http://www.mediafire.com/download.php?flia24mt1qq
Three of Lee Perry’s best albums in one nifty little package. Crank up the bass and enjoy.
Seminal live performance by the granddaddy of all piano trios. I read a quote somewhere about Bill Evans’ playing eliciting the kind of abstract awe that one feels when standing inside a cathedral. That’s not to say that his playing is in any way distant or detached. Rather the music is hazy and lyrical, much like the work of impressionist composers Ravel and Debussy. Evans plays calm and understated all throughout, emphasizing atmosphere. This laid-back approach allows the bassist and drummer plenty of room to do their thing. The interplay between the three musicians is amazing. The bassist in particular completely breaks free from his expected role of rhythm-keeper and acts as a second lead instrument, weaving dense countermelodies around the piano and playing mind-bogglingly complex solos.
One of the most wonderfully out-there jazz records I’ve ever encountered. I guess you can call it free jazz to the extent that it’s free from the harmonic and rhythmic conventions associated with this type of music. But this isn’t just a group of guys freaking out on a bunch of instruments. The tunes are carefully composed, and every band member, despite being accorded plenty of room to go nuts, knows what he’s doing.The melodies are harsh and angular; the rhythms can get pretty wild, and the unusual instrumentation (flute; bass clarinet; vibraphone instead of piano) gives these tracks an eerie, atmospheric quality. But this album grooves pretty hard, and has plenty of soul. 


Roscoe Holcomb played a mean banjo and sang in a strained, freakishly high voice. Drawing from a vast and varied repertoire of traditional tunes, he sang and played with wild abandon – like a man possessed.
I’m going to let this awesome Henry Miller quote do the talking for me here:
A compilation of tracks recorded between 1963 and 1971. Traditional British songs, sung unaccompanied. It can get a little samey after a while, but the melodies are beautiful.
Nice 2-CD compilation culled from the flamboyant French pop star’s late-60s albums. Most of this stuff is reminiscent of Dylan/Kinks garage rock, but some of the tunes (like the popular “Il est cinq heure, Paris s’eveille”) are done in the French Chanson style.
Beautiful ambient/techno album. Minimal kick-drum percussion and wave upon wave of cascading synths and guitars. Very relaxing.


Nostalgia time. I think this is the first hip-hop tape I ever bought. I rediscovered it recently and it still sounds fresh. Just a simple, fun record. The song “Dum Dums” has a sweet Otis Redding sample.
I’m not even sure what to call this. A creepy prog/r&b opera, I guess.



Dense, sludgy hip-hop beats. My favourite album of 2008.
British band from the 60s that played folk songs on acoustic instruments, but with intricate jazzy arrangements. The singer has a pretty voice.
This album was recorded outdoors in the Senegalese singer’s native village. Lots of little ambient sounds creep in - leaves rustling, insects buzzing, the occasional farm animal. Oh, and the music is good too. Acoustic guitars, traditional West African instruments and some really strong singing.
Only four tracks here, and they’re all solid. The first song has a really nice bouncy rhythm. The others are eerie ambient excursions. Headphone music.
Don Cherry’s take on world music. Freaky, spastic, sexy and disorienting are all appropriate adjectives.
This compilation is considered the musical manifesto of the influential Tropicalia movement in Brazil. Some really nice tunes with plenty of wonky orchestration
Amazing roots reggae album produced by Lee Perry. Long, hypnotic tracks with lots of layered rhythms and clattering sounds fading in and out. Good singing too, though the falsetto guy might get annoying after a while.
A lovely little collection of skeletal disco-funk tracks. Songs about oral sex, incest and race relations. The production is stark and minimal – as devoid of colour as the album cover.
A journey into the fractured mind of David Crosby. A messy, murky beast of an album. But quite good. Crosby’s singing is incredible, and he manages to create a mood that is at once soothing and unsettling.
A collection of happy, mildly trippy pop songs from Japan. Very nice.