
Just wanted to point out that his final album Whatever Happened I Apologize is available for free download here. It's quite good.
Rest in peace.

"Le Mystere des Voix Bulgares" is an ensemble of a rare artistic gift and enormous popular appeal. Its story is a story of a success. Created fifty years ago, its goal was to enrich the heritage of the Bulgarian solo folk song with harmonies and arrangement that highlighted its beautiful timbres and irregular rhythms.
An amazing little release by the Dirty Projectors bassist/vocalist. Alternates between sparse, dirge-like acoustic tracks and denser, brooding R&B-ish numbers. I really like her voice.
Really nice little album by the French singer. “Fleur de Lune” is an amazing song.
One of my favourite historical figures.http://en.wikipedia.org/wiki/Joshua_A._Norton



One of the very first dub records. A tremendous album, full of deep, hypnotic grooves. And what a cast of characters…Lee Perry is the ringmaster here, but King Tubby acts as co-engineer. Then you’ve got, among others, the Barrett brothers’ rhythm section, and even Augustus Pablo drops in to contribute some haunting melodica lines.
1982 was a year of both tremendous highs and lows for Richard and Linda Thompson. After a decade of critical praise but abysmal record sales, they managed to break into the American market with Shoot Out the Lights, their best selling album to date, and completed a triumphant tour of the U.S. Their brush with success was to be fleeting however, as it coincided with the breakup of their marriage and the end of their artistic partnership. So in an effort to cool down and gather his bearings, Richard Thompson embarked on a low-key solo-acoustic tour of the States. This album contains recordings from two of those shows, both in New York. The song selection is varied, but for the most part he chooses to perform slower numbers, many of them songs that his ex-wife had sung on record. Other than that there are a couple of older tunes dating from his time in Fairport Convention, a Hank Williams cover, and bizarre but funny little song about a person who may or may not a drag queen.
An amazing album by one of the most interesting bands of the 90s.
Saw Grizzly Bear last night. Holy crap what a great live band. They played just about everything I wanted to hear, and Leslie Feist made a surprise appearance for a couple of songs. So yeah, I am content. Definitely catch their show if you get a chance to.
A phenomenal reggae album by an underappreciated master of the genre. Linval Thompson cut his teeth working in Lee Perry’s Black Ark studio before moving on to a successful career both as a singer and producer. This album, his first in over 10 years, sounds sleek and modern without being overproduced or overly digitized (a common criticism when it comes to contemporary reggae). Thompson’s voice, though sounding a little weatherworn, is still an evocative instrument, and the songs are all top-notch. Check it out.
I have an unnatural, potentially unhealthy obsession with Tetris. It’s becoming my go-to thing for whenever I have time to waste, which is pretty often these days. Only problem is that I’m not very good at it. I have terrible hand eye (or finger?) coordination and my brain overloads easily when stressed out. But I mostly blame it on the Tetris song. While it’s a great little tune and integral to the overall experience, it’s just a bit too fast paced and intense for me. So rather than play the game on mute, I recorded my own version of the Tetris theme a while back. It’s a bit slower, more chill, definitely helps me concentrate, and makes for a much more relaxing gaming experience.
A classic album of minimal electronic composition. If you like squiggly synthesizers as much as I do you’ll definitely like this one.
This one’s been around for a while, but I still listen to it a lot. A great batch of tunes, flawlessly mixed by DJ Hatcha.
Definitely one of the more interesting figures to emerge from the 60s folk revival. Bert Jansch is as authentic a rambling bluesman as the British Isles ever produced. Hailing from Scotland, he spent several years traveling and busking for a living, developing his folk-blues songwriting style and perfecting his unique approach to the guitar, before a bout of dysentery in Tangiers forced him back home. He took part in the budding London folk scene of the mid-60s, recording his first album at friend’s home and selling it to Transatlantic Records for £100 (it went on to sell 150,000 copies). Several albums followed, including Jack Orion, his first serious foray into traditional folk material. That record featured fellow acoustic guitar luminary John Renbourn, with whom he would found the short-lived but groundbreaking jazz-folk band Pentangle. He’s been steadily releasing solo records ever since, highlights including the upbeat Birthday Blues, the uncharacteristically gentle and largely instrumental Rosemary Lane, which was recorded at his country home, and the 2006 guest-star-laden comeback record The Black Swan.
http://www.mediafire.com/?mudvym0tmze




"Conceived halfway between a basement and an empty swimming pool in Caracas, Venezuela during the summer of 2008. Captan, obvio is a free-form rock'n roll band deeply grained in improvisation and psychedelic. Having met some six months prior, the three members passion for discovering new music and experimenting with their instruments fused into what was to be the base for the bands sound.The band consists of Pericles (Bass, programming), Mario Anzola (Guitar, programming) and Alejandro Delgado (Guitar, whisky). The debut album Wachu Min was recorded in a single day as one session, unrehearsed and completely improvised (true to the bands form and spirit)."
Another electronic record I’ve been listening to a lot lately. This one rips. Big chunky beats and a warm, inviting atmosphere. Really nice.
Swedish producer Andreas Tilliander’s latest release. Really nice ambient stuff, kind of reminiscent of Gas and Vladislav Delay, just a little less intense.